Tune Talk: Weekly Music News
Hosted by Cookie
About This Episode
Generated entertainment podcast with host Cookie based on prompt: I want weekly music news. Highlight any new albums, industry news, or noteworthy information.
Transcript
Hey! It's Cookie O'Clock! Welcome back to "Tune Talk: Weekly Music News!" I'm Brooke, your musical tour guide for all things fresh and fabulous in the world of tunes. Grab your earbuds and let’s dive in.
First up, the only thing more surprising than a Taylor Swift hair color change—her new album *The Life of a Showgirl*. Dropped without warning on October 3, it’s like the Super Bowl for music lovers. Picture this: over a million expected first-week sales. Not only that, the accompanying short-form film, *The Official Release Party of a Showgirl*, made more money than your favorite Hollywood flick on opening weekend. Taylor’s just breaking records like they're a hobby.
Meanwhile, Perrie Edwards, formerly of Little Mix fame, is flying solo with her debut album *Perrie*. With producers like Jonathan Bellion and Johnny McDaid on board, it’s no wonder this album is soaring. It debuted at number three on the UK Albums Chart. Solo debut success? Check!
Olivia Dean is back to charm us again with her soulful, pop-infused melodies in *The Art of Loving*. Early chart predictions are big; she’s ready to land in the top five. With singles like “Nice to Each Other,” she’s making niceness sound so good.
Now, let’s chat about the master of catchy hooks, Ed Sheeran. His eighth album, *Play*, hit us a few weeks ago and, despite some mixed reviews, it’s topping charts everywhere. The symbiotic relationship between Ed and global success is truly like peanut butter and jelly.
Upcoming in the music pot, Australian psych-pop genius Kevin Parker is set to drop *Deadbeat*, the fifth Tame Impala album. With singles teasing influences from bush doof culture, I think we’re in for an auditory trip.
Leaping into K-pop territory, Le Sserafim has us all hungry with their upcoming single, “Spaghetti,” set to sizzle on October 24. Preorders are open, and fans are ready to twirl into this new era.
In industry news, there’s some spicy development with major labels like Universal Music and Warner potentially striking deals with AI firms to manage AI-generated tracks. This could be a game-changer for artist royalties and copyright issues. Speaking of AI, Spotify is stepping up their game with new policies to protect artists against unauthorized AI use. They’ve cleaned house, removing millions of spam tracks. It seems like they’re putting the "spot" back in "Spotify."
Finally, for the chart-topping highlights, HUNTR/X’s “Golden” is sticking like glue to the number-one spot for a seventh week. It’s a history-making moment for animated acts and South Korean-affiliated artists. Alex Warren’s “Ordinary” continues its extraordinary reign at number two, while “Soda Pop” by the fictional Saja Boys is fizzing up the charts at number three. Honestly, the charts resemble a lively cocktail party of genres right now.
That's a wrap on this week’s Tune Talk! Remember, there’s no better time to explore new music than right now. Keep those playlists fresh and until next time, keep rocking to the rhythm of life. This is Brooke, signing off, and remember—it’s always Cookie O’Clock somewhere!
## New Album Releases
### Taylor Swift – The Life of a Showgirl
Taylor Swift surprised fans with her twelfth studio album, *The Life of a Showgirl*, which dropped October 3, 2025. Industry analysts liken the release to “Super Bowl Sunday” for music, forecasting over one million first-week sales—an achievement only a handful of albums have managed since Nielsen began tracking weekly data in 1991 ([marketwatch.com](https://www.marketwatch.com/story/the-release-of-taylor-swifts-the-life-of-a-showgirl-is-like-super-bowl-sunday-for-the-music-industry-2adddbd9?utm_source=openai)). To accompany the record, Swift released a short-form promotional film, *The Official Release Party of a Showgirl*, which amassed $33 million at the box office over opening weekend—outpacing major Hollywood features ([marketwatch.com](https://www.marketwatch.com/story/the-release-of-taylor-swifts-the-life-of-a-showgirl-is-like-super-bowl-sunday-for-the-music-industry-2adddbd9?utm_source=openai)). Early metrics show the album setting new streaming and presave records on Spotify, including the most pre-saves of any album (5 million+) and the fastest to surpass previous single-day streaming highs in 2025 ([en.wikipedia.org](https://en.wikipedia.org/wiki/The_Life_of_a_Showgirl?utm_source=openai)).
### Perrie – Perrie
On September 26, 2025, former Little Mix member Perrie Edwards debuted her first solo project, *Perrie*, via Columbia Records. The album features production from Jonathan Bellion, Johnny McDaid, and Starsmith, among others, and was propelled by the singles “Forget About Us,” “You Go Your Way,” and “If He Wanted to He Would” ([en.wikipedia.org](https://en.wikipedia.org/wiki/Perrie_%28album%29?utm_source=openai)). In its first tracking week, *Perrie* entered at number three on the UK Albums Chart with 15,243 album-equivalent units sold, marking one of the strongest solo female debuts of the year ([en.wikipedia.org](https://en.wikipedia.org/wiki/Perrie_%28album%29?utm_source=openai)).
### Olivia Dean – The Art of Loving
English soul-pop artist Olivia Dean released her sophomore album, *The Art of Loving*, on September 26, 2025, via Capitol and Polydor ([en.wikipedia.org](https://en.wikipedia.org/wiki/The_Art_of_Loving_%28album%29?utm_source=openai)). Building on the critical acclaim of her 2023 debut *Messy*, Dean’s new project was supported by pre-release singles “Nice to Each Other,” “Lady Lady,” and “Man I Need,” plus the surprise drop of “So Easy (To Fall in Love)” upon album release ([en.wikipedia.org](https://en.wikipedia.org/wiki/The_Art_of_Loving_%28album%29?utm_source=openai)). Early UK and European chart previews hint at a top-five entry, driven by her neo-soul songwriting and crossover pop appeal.
### Ed Sheeran – Play
Ed Sheeran’s eighth studio album, *Play*, arrived September 12, 2025, under Gingerbread Man and Atlantic Records, continuing his series of media-symbol–themed releases ([en.wikipedia.org](https://en.wikipedia.org/wiki/Play_%28Ed_Sheeran_album%29?utm_source=openai)). Featuring five singles (“Azizam,” “Old Phone,” “Sapphire,” “A Little More,” “Camera”) and collaborations with producers like Steve Mac and Blake Slatkin, *Play* has already secured the number-one spot in the UK, Ireland, Germany, Australia, and several other territories in its second week of tracking ([en.wikipedia.org](https://en.wikipedia.org/wiki/Play_%28Ed_Sheeran_album%29?utm_source=openai)). Despite mixed critical reviews criticizing its formulaic approach, the album’s commercial performance underscores Sheeran’s global reach.
## Upcoming Releases & Announcements
### Tame Impala – Deadbeat
Australian psych-pop mastermind Kevin Parker officially announced *Deadbeat*, the fifth Tame Impala studio album, set for October 17, 2025, via Columbia Records ([en.wikipedia.org](https://en.wikipedia.org/wiki/Deadbeat_%28Tame_Impala_album%29?utm_source=openai)). Preceded by singles “End of Summer,” “Loser,” and “Dracula,” the record promises to draw on Bush doof culture and Western Australian rave influences, as teased by Parker on social media throughout mid-2025 ([en.wikipedia.org](https://en.wikipedia.org/wiki/Deadbeat_%28Tame_Impala_album%29?utm_source=openai)).
### Le Sserafim – “Spaghetti” (Single)
In K-pop news, girl group Le Sserafim will return October 24 with the single “Spaghetti.” The comeback marks their first release in seven months following their March EP *HOT*. Preorders opened September 29 at 11 a.m. KST, with a global launch at 1 p.m. KST ([timesofindia.indiatimes.com](https://timesofindia.indiatimes.com/entertainment/k-pop/music/news/le-sserafim-announces-return-with-new-single-spaghetti-set-for-october-24-release/articleshow/124216866.cms?utm_source=openai)). A restaurant-themed teaser video and behind-the-scenes content have already driven significant engagement across the group’s official channels.
## Industry News
### Major Labels Near AI Licensing Deals
Universal Music Group and Warner Music Group are reportedly closing in on landmark licensing agreements with AI firms, including Stability AI, Suno, and ElevenLabs, as well as tech giants Google and Spotify ([reuters.com](https://www.reuters.com/business/media-telecom/universal-music-warner-music-nearing-ai-licensing-deals-ft-reports-2025-10-02/?utm_source=openai)). According to Reuters, these pacts aim to establish micropayment frameworks akin to streaming royalties for AI-generated tracks and model training, potentially resolving ongoing lawsuits over unlicensed use of copyrighted material ([reuters.com](https://www.reuters.com/business/media-telecom/universal-music-warner-music-nearing-ai-licensing-deals-ft-reports-2025-10-02/?utm_source=openai)).
### Backlash Over AI-Generated Music
Independent rock band Holding Absence publicly condemned an AI-created act, Bleeding Verse, which used their music to train an algorithm and has since surpassed Holding Absence’s monthly Spotify listener count (897,349 vs. 847,638) in just two months ([musicradar.com](https://www.musicradar.com/music-tech/its-shocking-its-disheartening-its-insulting-most-importantly-its-a-wake-up-call-cardiff-band-decry-the-fact-ai-band-trained-on-their-music-overtakes-them-on-spotify?utm_source=openai)). Frontman Lucas Woodland called the situation “shocking” and “insulting,” framing it as a wake-up call on AI’s threat to artist livelihoods ([musicradar.com](https://www.musicradar.com/music-tech/its-shocking-its-disheartening-its-insulting-most-importantly-its-a-wake-up-call-cardiff-band-decry-the-fact-ai-band-trained-on-their-music-overtakes-them-on-spotify?utm_source=openai)). This controversy reflects broader industry unease about unauthorized AI content and the imperative for clear protections.
### Spotify Strengthens AI Protections
On September 25, Spotify announced new policies to safeguard artists against AI misuse, including stricter impersonation rules, a next-generation spam filter to weed out mass-produced “slop,” and support for an industry-wide AI-disclosure standard via DDEX ([newsroom.spotify.com](https://newsroom.spotify.com/2025-09-25/spotify-strengthens-ai-protections/?utm_source=openai)). The platform reported removing over 75 million spam or AI-generated tracks in the past year and commits to ongoing investments in detection and artist recourse ([newsroom.spotify.com](https://newsroom.spotify.com/2025-09-25/spotify-strengthens-ai-protections/?utm_source=openai)).
## Chart Highlights (Week of October 4, 2025)
- “Golden” by HUNTR/X (virtual band from *KPop Demon Hunters*) held the Billboard Hot 100’s number-one spot for a seventh consecutive week, marking the longest run for an animated act and the first South Korean–affiliated female act to achieve this feat ([vocal.media](https://vocal.media/beat/billboard-hot-100-the-top-10-songs-of-the-week-october-4-2025?utm_source=openai)).
- Alex Warren’s worship-inspired ballad “Ordinary” continued its strong performance at number two, after previously dominating charts through the summer ([vocal.media](https://vocal.media/beat/billboard-hot-100-the-top-10-songs-of-the-week-october-4-2025?utm_source=openai)).
- Fictional boy band Saja Boys saw their second *KPop Demon Hunters* hit, “Soda Pop,” climb to number three on the Hot 100, underscoring the soundtrack’s crossover appeal ([vocal.media](https://vocal.media/beat/billboard-hot-100-the-top-10-songs-of-the-week-october-4-2025?utm_source=openai)).
These weekly developments reflect a dynamic intersection of blockbuster releases, emerging artists, and seismic shifts in how the industry contends with rapid technological change.
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